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[narrator] <i>A strange structure</i>
<i>at the heart of a Miami suburb</i>

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<i>that began as a dream</i>
<i>and turned into a nightmare.</i>

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They call us
one of the top murder capitals
of South Florida

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<i>but we are waking this city</i>
<i>back up.</i>

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[narrator] <i>A Lebanese</i>
<i>high-rise of glitz and glamor,</i>

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<i>consumed by hate and fear.</i>

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[translator] The battle became
so ruthless that you
could kill your brother,

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<i>cousin or your friend</i>
<i>'cause you couldn't tell</i>
<i>who was who.</i>

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[narrator] <i>And</i>
<i>a Japanese curiosity</i>

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<i>caught in a web of corruption.</i>

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[man] He was
a very high-flying
businessman.

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with a lot of big plans

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and a tendency to cut corners,
ethically, in his businesses.

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[narrator] <i>Decaying relics...</i>

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<i>Ruins of lost worlds...</i>

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<i>Sites haunted by the past.</i>

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<i>Their secrets</i>
<i>waiting to be revealed.</i>

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<i>In Miami-Dade County, Florida,</i>

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are relics of
a storybook fantasy

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brought to life.

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[Luke] <i>This looks like</i>
<i>a typical Miami suburb.</i>

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But then you notice
that the streets have
some pretty unexpected names.

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You have Baghdad Avenue,
Sharazad Boulevard
and Sindbad Avenue.

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[narrator] <i>In the middle</i>
<i>of the town</i>

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<i>is what looks like</i>
<i>a crumbling palace.</i>

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<i>Which, much like</i>
<i>the street names,</i>

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appears wildly out of place
in Florida

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[Luke] <i>It's got</i>
<i>these pink domes,</i>
<i>touring minarets,</i>

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<i>castle-like battlements,</i>

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<i>and a wide courtyard.</i>

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It seems to be a mix
of various Eastern influences.

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<i>There's something</i>
<i>a bit fantastical</i>
<i>about it all.</i>

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[Hadley] <i>Exteriors</i>
<i>don't really match</i>
<i>the interiors.</i>

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<i>Their offices, their spaces</i>
<i>that would be used</i>

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<i>for everyday activities.</i>

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They're not elaborate
like the outside
of the building.

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[narrator] <i>The construction</i>
<i>is just one piece</i>
<i>of a much bigger puzzle.</i>

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These structures
aren't as big or impressive

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<i>but their coordinated style</i>

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suggests there was once
a wider vision for this place.

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[Hadley] <i>For a time,</i>
<i>this was a fantasy</i>
<i>you could buy into</i>

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but the dream would be
very tragically short-lived.

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[Alex] <i>I was living</i>
<i>not far from here,</i>
<i>in a neighboring community.</i>

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And was interested
in what homeownership
would look like.

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[narrator] <i>Alex Van Mecl</i>
<i>began digging into</i>

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<i>the extraordinary history</i>
<i>of this region</i>

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<i>when he bought</i>
<i>his first home here</i>

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<i>in September 2021.</i>

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[Alex] <i>It was very exciting</i>

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and was the beginning
of a very long journey

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<i>to uncover</i>
<i>a lot about the city</i>

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<i>that has, in some instances,</i>
<i>never been seen</i>
<i>or told before.</i>

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[narrator] <i>This</i>
<i>curious structure</i>

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<i>was to be the beating heart</i>
<i>of a grand vision.</i>

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<i>To transform this</i>
<i>once unpopulated area</i>

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<i>into a thriving city.</i>

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<i>The driving force behind it</i>

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<i>was American Renaissance man,</i>
<i>Glenn H. Curtiss.</i>

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[Luke] <i>Curtiss was a pioneer</i>
<i>of American aviation.</i>

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<i>And one of the nation's</i>
<i>wealthiest men.</i>

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He had helped develop
the first aircraft career

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for the US Navy,

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and built the first sea plane.

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[narrator] <i>While Curtiss</i>
<i>was vacationing in Florida,</i>

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<i>he recognized</i>
<i>the money-making potential</i>
<i>of this area.</i>

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In the years
after the first world war,

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Florida experienced
a land moon.

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<i>The number of skilled workers</i>
<i>in the country was rising</i>

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<i>and they were benefitting</i>
<i>from higher wages</i>
<i>and paid vacations.</i>

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Suddenly people
had the resources

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to travel
and to buy vacation homes.

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[Hadley] <i>Everybody had cars,</i>
<i>everyone had a Modet T.</i>

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<i>They wanted to be</i>
<i>in the sun.</i>

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And there was
no better place to go
than Florida.

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Curtiss and his partners
bought 17,000 acres of land.

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And Curtiss entered
a new business.

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Real Estate development.

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[Hadley] <i>Fortunately,</i>
<i>there was this new craze</i>
<i>that was sweeping the nation,</i>

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and it would inspire
his next project, Opa-Locka.

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[narrator] <i>Opa-Locka</i>
<i>was to be something</i>
<i>entirely unique.</i>

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<i>Never before attempted</i>
<i>in the United States.</i>

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<i>It was a big gamble,</i>

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<i>based on architecture</i>
<i>and literature</i>
<i>from the Islamic World.</i>

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[Sascha] In 1925,
the architect
Bernhardt Muller.

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read the collection of
middle eastern folk tales

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known as the <i>1001 Nights.</i>

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<i>He was so inspired</i>
<i>that he relived it</i>
<i>in his dreams that night.</i>

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<i>He soon came up</i>
<i>with a vision</i>

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<i>of a city</i>
<i>built around the theme</i>
<i>and design of the stories.</i>

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[narrator] <i>And in Curtiss,</i>
<i>Muller had a partner</i>

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<i>with the resources</i>
<i>to make it happen.</i>

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And advertisement
that was placed
in The Miami Herald in 1926,

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began with the words
"one thousand
and one reasons".

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It encouraged investors
to get in on the ground floor

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of a never to be repeated
opportunity.

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[narrator] This
administration building

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<i>was intended to be an icon</i>
<i>of the city's success.</i>

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The construction
of this building began

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<i>in early 1926.</i>

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<i>It took approximately</i>
<i>seven months to construct.</i>

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<i>At that time,</i>
<i>they estimated cost</i>
<i>$150,000.</i>

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<i>It's primary focus</i>
<i>was to sell</i>
<i>the idea and dream</i>

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of what it was to become
an Opa-Lockan

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[Hadley] <i>This was to be</i>
<i>a completely</i>
<i>self-sufficient community.</i>

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with its own airport,
golf course, pool,

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parks, country club, zoo.

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All the things
that make life fun.

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Muller personally approved
each and every design.

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<i>He specified</i>
<i>all the paint colors</i>
<i>and finishings to be used.</i>

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And even suggested
landscaping around
the buildings.

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[narrator]
<i>In less than a year,</i>

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<i>over 30 homes were built</i>
<i>and residents moved in,</i>

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<i>while the rest</i>
<i>of the city's construction</i>

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was still underway.

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<i>Curtiss' ambitious risk</i>
<i>appeared to be paying off.</i>

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<i>But before the city</i>
<i>can be completed,</i>

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Mother Nature
interfered.

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In 1926, a massive hurricane
swept through the Miami area

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<i>and although</i>
<i>it didn't really</i>
<i>affect Opa-Locka,</i>

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it affected Florida
as a whole.

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And sent it into this
economic tailspin.

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Florida's reputation
as Heaven on Earth,

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was shattered
in the wake of the destruction

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[Sascha] <i>Suddenly,</i>
<i>both, investors</i>
<i>and new residents</i>

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became harder
and harder to find.

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[narrator] <i>But railroads</i>
<i>had helped</i>

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<i>other planned communities</i>
<i>in Florida prosper.</i>

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<i>And Curtiss was certain</i>

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<i>a new train line</i>
<i>coming in 1927,</i>

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<i>would keep his vision alive.</i>

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<i>He also had</i>
<i>one last trick up his sleeve.</i>

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He was an astute marketer.

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And when
the first train arrived,

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through Opa-Locka,
on the new line,

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he decided he was
gonna put on a show.

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[narrator] <i>In the late 1920s,</i>

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<i>the visionary</i>
<i>planned community</i>
<i>of Opa-Locka,</i>

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<i>was failing to attract</i>
<i>new residents.</i>

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<i>It's founder,</i>
<i>Glenn H. Curtiss,</i>

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<i>aw the arrival</i>
<i>of the new Sea Board railroad</i>

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<i>as a vital opportunity</i>

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<i>to generate some</i>
<i>crucial publicity.</i>

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Onboard was
the governor of the state,

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the president of the railway

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and a host
of other dignitaries.

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<i>They were greeted</i>
<i>by something straight out</i>
<i>of the movies.</i>

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<i>A representative</i>
<i>of the company,</i>

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<i>dressed as the Grand Vizier</i>
<i>of the empire of Opa-Locka,</i>

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<i>charged on horseback out of</i>
<i>the administration building.</i>

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<i>He was flanked by others</i>
<i>dressed as Arabian horsemen,</i>

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<i>who were racing out</i>
<i>to meet the iron horse.</i>

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<i>Homeowners from</i>
<i>all across the city</i>

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<i>joined in the celebrations.</i>

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<i>Nobody wanted to see</i>
<i>Opa-Locka crash and burn.</i>

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[Hadley] <i>Most of the town</i>
<i>had costumes</i>

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<i>that had been rented</i>
<i>from New York theaters.</i>

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And the whole community
put on a show for visitors.

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[Luke] <i>The event</i>
<i>was a big success.</i>

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00:09:01,266 --> 00:09:04,100
<i>And the newspapers</i>
<i>gave it plenty of coverage.</i>

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All of which provided
great advertising
for the city.

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[Sascha] <i>These days,</i>
<i>that type of naked</i>
<i>cultural appropriation</i>

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<i>would definitely</i>
<i>be frowned upon.</i>

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<i>Though there are certainly</i>
<i>outrageous stunts</i>

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pulled by real estate
developers on a daily basis.

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[narrator] <i>The so-called</i>
<i>Arabian fantasy</i>

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<i>may have captured</i>
<i>people's attention,</i>

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<i>but it failed to get them</i>
<i>to open their wallets.</i>

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<i>The future of Curtiss'</i>
<i>$1.5 million investment</i>

169
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<i>was uncertain.</i>

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<i>Less than two years later,</i>

171
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<i>the aspiring city</i>
<i>was dealt another</i>
<i>devastating blow.</i>

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[Sascha] <i>In the wake</i>
<i>of the Wall Street crash,</i>

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things weren't really
looking good for Opa-Locka.

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[narrator] <i>Curtis pulled out</i>
<i>all the stops to try</i>
<i>and salvage his dream.</i>

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<i>And save his city's</i>
<i>struggling residents.</i>

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[Alex] <i>He helped pay for</i>
<i>people's landscaping.</i>

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<i>He started paying</i>
<i>people's mortgages.</i>

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<i>I think he had</i>
<i>every reason to believe</i>

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00:10:00,166 --> 00:10:02,567
that Opa-Locka
still could become

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<i>as great, as thriving</i>
<i>as a Coral Gables,</i>

181
00:10:05,867 --> 00:10:07,266
<i>or Miami Beach,</i>

182
00:10:07,266 --> 00:10:09,133
<i>or even Palm Beach,</i>
<i>at that time.</i>

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00:10:10,300 --> 00:10:11,600
[narrator]
<i>Curtiss was convinced</i>

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00:10:11,600 --> 00:10:14,100
<i>that development</i>
<i>could continue expanding</i>

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<i>after the economy recovered.</i>

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00:10:16,567 --> 00:10:18,133
<i>Fate disagreed.</i>

187
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<i>On July 23rd, 1930,</i>

188
00:10:21,500 --> 00:10:24,734
<i>the aviation pioneer</i>
<i>died suddenly.</i>

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It's my school of thought

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that Curtiss would very much
have stuck his vision through.

191
00:10:31,367 --> 00:10:34,066
And it still would have been
the fully-built environment

192
00:10:34,066 --> 00:10:35,700
that he dreamed
of it becoming,

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00:10:35,700 --> 00:10:37,567
had he not passed away.

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[narrator] <i>In the years</i>
<i>that followed,</i>

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00:10:39,367 --> 00:10:42,767
<i>he suburb declined</i>
<i>beyond all recognition.</i>

196
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And its crime rate soared.

197
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By 2009,

198
00:10:46,700 --> 00:10:49,667
<i>the one-time centerpiece</i>
<i>of Opa-Locka,</i>

199
00:10:49,667 --> 00:10:52,400
<i>had been left</i>
<i>to fall into ruin.</i>

200
00:10:58,266 --> 00:11:00,166
<i>John H. Taylor Jr.</i>

201
00:11:00,166 --> 00:11:04,166
<i>was elected mayor</i>
<i>of Opa-Locka in 2022.</i>

202
00:11:04,166 --> 00:11:06,767
<i>The city he grew up in</i>
<i>was very different</i>

203
00:11:06,767 --> 00:11:09,800
<i>from the one</i>
<i>originally envisioned.</i>

204
00:11:09,800 --> 00:11:13,700
[John] <i>I'm 34 years old</i>
<i>and Opa-Locka</i>
<i>is all that I know.</i>

205
00:11:13,700 --> 00:11:17,967
During the early '70s,
'80s, '90s, early 2000s,

206
00:11:17,967 --> 00:11:21,967
<i>they called us one</i>
<i>of the top murder capitals</i>
<i>of South Florida.</i>

207
00:11:21,967 --> 00:11:25,066
<i>It's not the same Opa-Locka</i>
<i>that you see today.</i>

208
00:11:25,066 --> 00:11:27,200
<i>Our crime is down 30%.</i>

209
00:11:27,200 --> 00:11:29,200
I wanted a community
where my daughter

210
00:11:29,200 --> 00:11:31,767
and my family
can grow, live, play

211
00:11:31,767 --> 00:11:33,233
and be safe here.

212
00:11:34,000 --> 00:11:36,467
[narrator] <i>Today,</i>
<i>Taylor hopes to finish</i>

213
00:11:36,467 --> 00:11:39,066
<i>what Glenn H. Curtiss started.</i>

214
00:11:39,066 --> 00:11:41,166
[John] <i>We want it</i>
<i>to be a cultural art center.</i>

215
00:11:41,166 --> 00:11:43,166
We want, um,
birthday parties here.

216
00:11:43,166 --> 00:11:45,567
We want you
to make memories here.

217
00:11:45,567 --> 00:11:49,000
<i>And by 2026,</i>
<i>you won't be able</i>
<i>to recognize Opa-Locka.</i>

218
00:11:49,000 --> 00:11:52,433
We are waking
this city back up.

219
00:11:57,800 --> 00:12:00,500
[narrator] <i>The Lebanese</i>
<i>capital of Beirut.</i>

220
00:12:00,500 --> 00:12:03,400
<i>Modern buildings</i>
<i>conceal the reminders</i>

221
00:12:03,400 --> 00:12:05,300
<i>of a city divided.</i>

222
00:12:09,900 --> 00:12:13,667
[Jim] <i>You have all these</i>
<i>gleaming high-rises</i>

223
00:12:13,667 --> 00:12:16,233
and fancy shops
and restaurants.

224
00:12:16,667 --> 00:12:18,200
But in the middle of all this,

225
00:12:18,200 --> 00:12:20,700
is one tall building

226
00:12:20,700 --> 00:12:22,900
<i>that is an absolute wreck.</i>

227
00:12:23,867 --> 00:12:26,800
[Geoffrey] <i>This does not look</i>
<i>like normal wear and tear.</i>

228
00:12:27,900 --> 00:12:29,667
<i>And you go inside,</i>

229
00:12:29,667 --> 00:12:32,100
<i>there's no clues</i>
<i>as to what it was,</i>

230
00:12:32,100 --> 00:12:33,634
Everything's been
stripped out.

231
00:12:35,500 --> 00:12:38,667
[narrator] <i>In the beginning,</i>
<i>this was a beacon of progress,</i>

232
00:12:38,667 --> 00:12:42,367
<i>and the height of extravagance</i>
<i>in a modern city.</i>

233
00:12:42,367 --> 00:12:45,834
<i>It became a ferocious symbol</i>
<i>of struggle.</i>

234
00:12:46,467 --> 00:12:48,567
So how did it fall
from that place

235
00:12:48,567 --> 00:12:52,266
<i>to this destroyed shell</i>
<i>of its former self.</i>

236
00:12:52,266 --> 00:12:56,767
[narrator] <i>Haunting clues</i>
<i>are revealed etched</i>
<i>into the crumbling walls.</i>

237
00:12:56,767 --> 00:13:00,467
It's almost like
you can see some kind of
clash of civilizations

238
00:13:00,467 --> 00:13:02,367
playing out in the graffiti.

239
00:13:02,367 --> 00:13:04,066
<i>There's-- Some is in Arabic,</i>

240
00:13:04,066 --> 00:13:08,567
<i>but then you also see</i>
<i>Christian crosses.</i>

241
00:13:08,567 --> 00:13:11,166
[Lynette] <i>This is a building</i>
<i>that had gone from</i>

242
00:13:11,166 --> 00:13:15,467
<i>a beautiful</i>
<i>Middle Eastern destination</i>

243
00:13:15,467 --> 00:13:20,734
into the very epitome
of Hell on Earth.

244
00:13:25,800 --> 00:13:27,300
[narrator] <i>Marwan Ayoubi</i>

245
00:13:27,300 --> 00:13:29,867
<i>first came here in 1976,</i>

246
00:13:29,867 --> 00:13:32,600
when he was 17 years old.

247
00:13:32,600 --> 00:13:34,867
<i>When it was built,</i>
<i>two years earlier,</i>

248
00:13:34,867 --> 00:13:36,800
<i>it was the talk of the town.</i>

249
00:13:38,867 --> 00:13:41,600
[translator] <i>It was the most</i>
<i>luxurious hotel in Beirut.</i>

250
00:13:41,600 --> 00:13:45,567
Not just in the city
but the entire country.

251
00:13:45,567 --> 00:13:48,667
[narrator] <i>But Marwan</i>
<i>didn't check in as a guest.</i>

252
00:13:48,667 --> 00:13:51,400
<i>He was here</i>
<i>for a different purpose.</i>

253
00:13:51,867 --> 00:13:52,967
[Marwan speaks Lebanese]

254
00:13:52,967 --> 00:13:54,600
[translator] <i>Despite</i>
<i>my young age,</i>

255
00:13:54,600 --> 00:13:57,800
<i>I was responsible</i>
<i>for military command.</i>

256
00:14:00,200 --> 00:14:03,000
From the first time
I entered with the guys,

257
00:14:03,000 --> 00:14:05,100
I felt something different.

258
00:14:05,100 --> 00:14:07,834
<i>Honestly, the hair</i>
<i>on my neck stood up.</i>

259
00:14:12,400 --> 00:14:14,567
<i>High-rises like this</i>
<i>were new.</i>

260
00:14:14,567 --> 00:14:18,066
<i>Its importance</i>
<i>was for its height, location,</i>

261
00:14:18,066 --> 00:14:20,000
<i>and very strong build.</i>

262
00:14:22,600 --> 00:14:26,000
[narrator] <i>This is</i>
<i>the Holiday Inn hotel.</i>

263
00:14:26,000 --> 00:14:28,867
<i>Once, the pinnacle</i>
<i>of sophistication,</i>

264
00:14:28,867 --> 00:14:32,000
<i>at the heart</i>
<i>of a destination city.</i>

265
00:14:32,000 --> 00:14:35,500
<i>Different from the one</i>
<i>we see today.</i>

266
00:14:36,467 --> 00:14:38,900
[Lynette] <i>In the 1970s,</i>

267
00:14:38,900 --> 00:14:44,800
Beirut is a Western-looking
French speaking city.

268
00:14:45,767 --> 00:14:48,066
<i>And people</i>
<i>from around the world,</i>

269
00:14:48,066 --> 00:14:51,600
<i>are happy to fly</i>
<i>to Beirut</i>

270
00:14:51,600 --> 00:14:54,100
to enjoy
the Mediterranean climate.

271
00:14:54,700 --> 00:14:57,300
[Jim] <i>It's a place</i>
<i>of openness</i>

272
00:14:57,300 --> 00:15:00,600
and a kind of pride
in their ability,

273
00:15:00,600 --> 00:15:04,000
which was not unusual
in the Middle East
at any time

274
00:15:04,000 --> 00:15:07,467
to co-exist
with so many
different cultures.

275
00:15:07,467 --> 00:15:10,133
Christian, Jews, Muslims.

276
00:15:11,567 --> 00:15:14,900
[narrator] <i>In this booming</i>
<i>cosmopolitan metropolis,</i>

277
00:15:14,900 --> 00:15:18,900
<i>impressive new hotels</i>
<i>sprung up in</i>
<i>the downtown port district,</i>

278
00:15:18,900 --> 00:15:23,100
<i>including this one in 1974.</i>

279
00:15:23,100 --> 00:15:26,367
[Geoffrey] <i>The Holiday Inn</i>
<i>was a very ambitious</i>
<i>hotel chain.</i>

280
00:15:26,367 --> 00:15:29,700
And they would open
these, kind of,
flagship hotels

281
00:15:29,700 --> 00:15:31,800
<i>in important cities</i>
<i>around the world.</i>

282
00:15:31,800 --> 00:15:33,300
<i>to advertise the brand.</i>

283
00:15:34,200 --> 00:15:37,467
[Lynette] <i>It's</i>
<i>the tallest hotel in the city.</i>

284
00:15:37,467 --> 00:15:41,867
It has got
a revolving restaurant

285
00:15:41,867 --> 00:15:43,266
<i>on the roof.</i>

286
00:15:43,266 --> 00:15:48,266
<i>Which is possibly</i>
<i>the most 1970s thing ever.</i>

287
00:15:48,266 --> 00:15:50,767
It opened at a time
when the future for Beirut

288
00:15:50,767 --> 00:15:52,934
and Lebanon
seemed very bright.

289
00:15:56,266 --> 00:15:58,000
[narrator] <i>But</i>
<i>below the surface,</i>

290
00:15:58,000 --> 00:15:59,233
<i>tension was building</i>

291
00:15:59,233 --> 00:16:03,066
<i>between</i>
<i>the country's Muslim</i>
<i>and Christian populations.</i>

292
00:16:03,066 --> 00:16:05,867
<i>Soon, it would spill out</i>
<i>onto the streets.</i>

293
00:16:05,867 --> 00:16:10,800
<i>And the Holiday Inn</i>
<i>would find itself</i>
<i>at the center of the storm.</i>

294
00:16:10,800 --> 00:16:15,700
So, while wealthy tourists
and other visitors
were partying,

295
00:16:15,700 --> 00:16:18,934
the politics in Lebanon
were changing radically.

296
00:16:23,266 --> 00:16:24,533
[narrator] <i>In Lebanon,</i>

297
00:16:24,533 --> 00:16:28,266
<i>are the remains</i>
<i>of the once-luxurious</i>
<i>Holiday Inn hotel,</i>

298
00:16:28,266 --> 00:16:32,367
<i>which opened for business</i>
<i>in 1974.</i>

299
00:16:32,367 --> 00:16:34,667
<i>But beyond</i>
<i>the glitz and glamor,</i>

300
00:16:34,667 --> 00:16:36,900
<i>a vicious conflict</i>
<i>was brewing,</i>

301
00:16:36,900 --> 00:16:39,967
<i>that would</i>
<i>change Beirut forever.</i>

302
00:16:39,967 --> 00:16:42,066
Like many of the countries
in the Middle East,

303
00:16:42,066 --> 00:16:46,266
the borders of Lebanon
were more or less
imposed on it,

304
00:16:46,266 --> 00:16:48,600
<i>by European powers.</i>

305
00:16:48,600 --> 00:16:52,967
The French established
the current borders
after World War I.

306
00:16:52,967 --> 00:16:56,200
[Geoffrey] <i>When Lebanon</i>
<i>was given its independence</i>
<i>in 1943,</i>

307
00:16:56,200 --> 00:16:59,900
power was distributed
among the various
religious groups.

308
00:16:59,900 --> 00:17:01,900
You know, the--
The Maronite Christians,

309
00:17:01,900 --> 00:17:05,066
<i>the Muslims</i>
<i>and the Jews.</i>

310
00:17:05,066 --> 00:17:07,266
It makes no one happy.

311
00:17:07,266 --> 00:17:10,667
It's just a matter
of how long it's gonna take

312
00:17:10,667 --> 00:17:13,100
for Lebanon to fall apart.

313
00:17:13,100 --> 00:17:16,767
[narrator] <i>After the founding</i>
<i>of Israel in 1948.</i>

314
00:17:16,767 --> 00:17:20,133
<i>Palestinians were</i>
<i>forcibly removed</i>
<i>from their homes.</i>

315
00:17:20,667 --> 00:17:22,266
<i>In the years that followed,</i>

316
00:17:22,266 --> 00:17:24,800
<i>the refugee crisis</i>
<i>only intensified.</i>

317
00:17:24,800 --> 00:17:27,200
<i>And by 1968,</i>

318
00:17:27,200 --> 00:17:31,567
<i>400,000 people</i>
<i>had sought shelter</i>
<i>in Lebanon.</i>

319
00:17:31,567 --> 00:17:35,266
But they introduced
a new radicalism
into Lebanese politics.

320
00:17:35,266 --> 00:17:38,667
<i>And you started</i>
<i>seeing the emergence</i>
<i>of sectarian militia</i>

321
00:17:38,667 --> 00:17:40,300
<i>to defend</i>
<i>Maronite interests</i>

322
00:17:40,300 --> 00:17:42,567
<i>or Shia interest</i>
<i>or Sunni interest</i>

323
00:17:42,567 --> 00:17:44,033
<i>or Jews' interests.</i>

324
00:17:45,567 --> 00:17:48,166
All of these different
religious and cultural groups

325
00:17:48,166 --> 00:17:50,000
that had coexisted
peacefully...

326
00:17:50,000 --> 00:17:52,700
<i>suddenly they were</i>
<i>at each other's throats.</i>

327
00:17:54,767 --> 00:17:57,500
[Lynette] <i>A year after</i>
<i>the Holiday Inn opens,</i>

328
00:17:57,500 --> 00:17:59,700
the civil war kicks off.

329
00:18:01,700 --> 00:18:03,567
[narrator] <i>The city's</i>
<i>hotel district</i>

330
00:18:03,567 --> 00:18:06,533
<i>quickly became</i>
<i>the epicenter of the violence.</i>

331
00:18:07,166 --> 00:18:09,166
Beirut's kind of bifurcated

332
00:18:09,166 --> 00:18:12,166
<i>into a Christian</i>
<i>East Beirut</i>

333
00:18:12,166 --> 00:18:14,166
<i>and a Muslim</i>
<i>West Beirut.</i>

334
00:18:14,166 --> 00:18:16,367
<i>separated by something</i>
<i>called the Green Line.</i>

335
00:18:16,367 --> 00:18:20,367
And the Holiday Inn
and the other, you know,
fancy hotels in Beirut

336
00:18:20,367 --> 00:18:24,400
just happened to be
situated along
what is now the Green Line.

337
00:18:25,266 --> 00:18:27,200
[Jim] <i>In any</i>
<i>military encounter</i>

338
00:18:27,200 --> 00:18:29,767
<i>you wanna control</i>
<i>the high ground.</i>

339
00:18:29,767 --> 00:18:31,400
<i>This is how the Union Army</i>

340
00:18:31,400 --> 00:18:34,567
won the battle
of Gettysburg
in the Civil War.

341
00:18:34,567 --> 00:18:38,667
And in Beirut,
these tall hotels,

342
00:18:38,667 --> 00:18:40,233
<i>they were the high ground.</i>

343
00:18:41,600 --> 00:18:44,467
[narrator] <i>The Holiday Inn</i>
<i>was the tallest of them all,</i>

344
00:18:44,467 --> 00:18:48,500
<i>in what would</i>
<i>become known</i>
<i>as the Battle of the Hotels.</i>

345
00:18:50,100 --> 00:18:52,166
[Geoffrey] <i>And</i>
<i>in the early years</i>
<i>of the Civil War,</i>

346
00:18:52,166 --> 00:18:53,333
the phalange militia,

347
00:18:53,333 --> 00:18:56,200
the Maronite Christians,
they controlled
the Holiday Inn,

348
00:18:56,200 --> 00:18:59,266
<i>while the neighboring</i>
<i>Phoenicia hotel</i>
<i>and other structures</i>

349
00:18:59,266 --> 00:19:02,867
<i>are controlled by the Lebanese</i>
<i>National Movement militia.</i>

350
00:19:02,867 --> 00:19:05,266
[narrator] <i>In March of 1976,</i>

351
00:19:05,266 --> 00:19:07,700
<i>a coalition</i>
<i>of Muslim forces</i>

352
00:19:07,700 --> 00:19:12,000
<i>launched an attack</i>
<i>against the heavily guarded</i>
<i>Holiday Inn.</i>

353
00:19:12,000 --> 00:19:16,600
<i>Marwan Ayoubi</i>
<i>led a small unit</i>
<i>into the high-stakes fight.</i>

354
00:19:17,667 --> 00:19:18,734
[speaking Lebanese]

355
00:19:18,734 --> 00:19:21,000
[translator] <i>The battles</i>
<i>were from room to room.</i>

356
00:19:21,000 --> 00:19:24,200
You go up the stairs,
but you don't know
what's in front of you.

357
00:19:24,200 --> 00:19:26,200
<i>So you just shoot</i>
<i>while you go up.</i>

358
00:19:26,200 --> 00:19:28,400
<i>Like you're shooting</i>
<i>for no reason.</i>

359
00:19:29,500 --> 00:19:32,667
[Geoffrey] <i>Muslim militias,</i>
<i>they penetrate the hotel,</i>

360
00:19:32,667 --> 00:19:35,100
They get control
of the lobby
and the lower floors,

361
00:19:35,100 --> 00:19:37,634
and they start to celebrate,
"We've taken the hotel."

362
00:19:39,266 --> 00:19:40,767
[Jim] It seemed
like a victory.

363
00:19:40,767 --> 00:19:42,500
What they didn't
fully appreciate

364
00:19:42,500 --> 00:19:43,867
was that there were still

365
00:19:43,867 --> 00:19:47,600
<i>dozens of Christian</i>
<i>militia fighters</i>

366
00:19:47,600 --> 00:19:49,600
<i>on the floors above them.</i>

367
00:19:49,600 --> 00:19:52,533
<i>The result was total chaos.</i>

368
00:19:54,000 --> 00:19:55,867
-[Marwan speaks Lebanese]
-[translator] <i>In</i>
<i>the counterattack,</i>

369
00:19:55,867 --> 00:19:58,200
<i>the battle became so ruthless,</i>

370
00:19:58,200 --> 00:20:00,867
<i>you could kill your brother,</i>
<i>your cousin or your friend</i>

371
00:20:00,867 --> 00:20:03,400
because you didn't know
who was who.

372
00:20:03,400 --> 00:20:05,233
<i>It was too dark.</i>

373
00:20:09,967 --> 00:20:12,000
[narrator] <i>For three days</i>
<i>and three nights,</i>

374
00:20:12,000 --> 00:20:16,066
<i>bitter fighting</i>
<i>rages across the 26 floors</i>
<i>of the Holiday Inn.</i>

375
00:20:16,066 --> 00:20:18,300
<i>Over 40 men were killed,</i>

376
00:20:18,300 --> 00:20:20,900
<i>and 100 severely injured,</i>

377
00:20:20,900 --> 00:20:24,367
<i>before the Muslim militia</i>
<i>emerged victorious.</i>

378
00:20:24,367 --> 00:20:28,600
All the world
sees the violence in Beirut

379
00:20:28,600 --> 00:20:30,667
heir television screens,

380
00:20:30,667 --> 00:20:31,900
<i>every night.</i>

381
00:20:31,900 --> 00:20:36,166
<i>Everyone sees</i>
<i>once-great hotels</i>

382
00:20:36,166 --> 00:20:40,900
<i>dissolve into</i>
<i>a welter of explosions.</i>

383
00:20:42,767 --> 00:20:45,500
[narrator] <i>The conflict</i>
<i>continued to ravage</i>
<i>the country</i>

384
00:20:45,500 --> 00:20:48,100
<i>for the next 14 years.</i>

385
00:20:48,100 --> 00:20:53,400
<i>During that time,</i>
<i>warring factions periodically</i>
<i>occupied the hotel.</i>

386
00:20:53,400 --> 00:20:55,700
<i>Any trace of</i>
<i>its former grandeur</i>

387
00:20:55,700 --> 00:20:59,100
<i>was obliterated</i>
<i>by the struggle.</i>

388
00:20:59,100 --> 00:21:01,266
[Geoffrey] <i>And the civil war</i>
<i>really isn't resolved</i>

389
00:21:01,266 --> 00:21:04,667
<i>until the Taif Accord in 1989.</i>

390
00:21:04,667 --> 00:21:06,567
When, you know,
the various groups are

391
00:21:06,567 --> 00:21:08,867
all coaxed into this
peace arrangement.

392
00:21:08,867 --> 00:21:12,600
<i>Basically, giving</i>
<i>certain portfolios</i>
<i>of government</i>

393
00:21:12,600 --> 00:21:15,200
<i>to the different groups.</i>

394
00:21:15,200 --> 00:21:16,867
[narrator] <i>Those who</i>
<i>fought in the war,</i>

395
00:21:16,867 --> 00:21:20,000
had to reconcile
the many years spent

396
00:21:20,000 --> 00:21:22,133
<i>fighting against</i>
<i>their fellow countrymen.</i>

397
00:21:22,767 --> 00:21:24,667
[speaking Lebanese]

398
00:21:24,667 --> 00:21:28,800
[translator] As we grow older,
our sense
of humanity increases.

399
00:21:28,800 --> 00:21:30,266
Because we have children,

400
00:21:30,266 --> 00:21:31,467
<i>we have sons,</i>

401
00:21:31,467 --> 00:21:33,834
<i>and we understand</i>
<i>what humanity is.</i>

402
00:21:34,567 --> 00:21:37,100
<i>We killed the country</i>
<i>with civil war</i>

403
00:21:37,100 --> 00:21:40,200
because we differed
in the way
we love this country.

404
00:21:45,667 --> 00:21:46,634
[narrator] <i>Over the years,</i>

405
00:21:46,634 --> 00:21:49,467
<i>the Port of Beirut</i>
<i>has been revitalized,</i>

406
00:21:49,467 --> 00:21:52,467
<i>while the Holiday Inn</i>
<i>has sat untouched,</i>

407
00:21:52,467 --> 00:21:54,667
<i>caught in a legal limbo.</i>

408
00:21:54,667 --> 00:21:55,967
[Jim] <i>The ownership</i>
<i>is split</i>

409
00:21:55,967 --> 00:22:01,500
<i>between a group of</i>
<i>Lebanese investors</i>
<i>who want to refurbish it</i>

410
00:22:01,500 --> 00:22:04,000
and a Kuwaiti shareholder

411
00:22:04,000 --> 00:22:07,100
who wants to tear it down
and-and start over.

412
00:22:07,100 --> 00:22:10,367
<i>For now, it stands there</i>
<i>as this</i>

413
00:22:10,367 --> 00:22:12,567
<i>somewhat horrifying symbol</i>

414
00:22:12,567 --> 00:22:16,000
<i>of just how far off the rails</i>
<i>a modern society can go.</i>

415
00:22:22,467 --> 00:22:25,200
[narrator] <i>In the hills</i>
<i>west of Niigata, Japan,</i>

416
00:22:25,200 --> 00:22:29,300
<i>stands a place that defies</i>
<i>rational explanation.</i>

417
00:22:34,667 --> 00:22:37,166
[Rob] <i>The first thing</i>
<i>your eye's drawn to</i>

418
00:22:37,166 --> 00:22:41,667
<i>is this huge sea</i>
<i>of solar panels.</i>

419
00:22:41,667 --> 00:22:43,066
<i>But, right on their edge,</i>

420
00:22:43,066 --> 00:22:46,200
<i>is a very</i>
<i>unexpected structure.</i>

421
00:22:47,166 --> 00:22:51,600
[Jim] <i>You see an enormous</i>
<i>Russian-style cathedral,</i>

422
00:22:51,600 --> 00:22:54,200
<i>complete with</i>
<i>the onion-type domes</i>

423
00:22:54,200 --> 00:22:56,500
and crosses
on top of each one.

424
00:22:56,500 --> 00:23:01,000
What's it doing here
in the middle of rural Japan?

425
00:23:01,000 --> 00:23:05,100
[narrator] <i>For two countries</i>
<i>that were sworn enemies</i>
<i>for many years,</i>

426
00:23:05,100 --> 00:23:07,467
<i>something doesn't add up.</i>

427
00:23:07,467 --> 00:23:10,300
<i>Yet, whoever ordered</i>
<i>its construction,</i>

428
00:23:10,300 --> 00:23:13,300
<i>clearly invested heavily.</i>

429
00:23:13,300 --> 00:23:16,600
[Alexis]
<i>With the twisted remains</i>
<i>of the stained glass windows</i>

430
00:23:16,600 --> 00:23:17,634
and the gold paint,

431
00:23:17,634 --> 00:23:21,500
you can still get a sense
of its fated grandeur.

432
00:23:22,500 --> 00:23:24,166
If you look straight up,

433
00:23:24,166 --> 00:23:27,233
who's staring back at you?
Jesus.

434
00:23:28,667 --> 00:23:30,800
[narrator] <i>But,</i>
<i>a fire-damaged complex</i>

435
00:23:30,800 --> 00:23:32,033
<i>next to the church</i>

436
00:23:32,033 --> 00:23:36,400
<i>suggests faith alone</i>
<i>was not enough</i>
<i>to save this place.</i>

437
00:23:37,667 --> 00:23:41,767
It seems there was
some kind of
cross-cultural tribute

438
00:23:41,767 --> 00:23:43,266
intended here.

439
00:23:43,266 --> 00:23:45,266
<i>But, one that obviously</i>

440
00:23:45,266 --> 00:23:47,634
<i>didn't work out</i>
<i>that well in the end.</i>

441
00:23:49,100 --> 00:23:51,166
Unchecked ambition
and corruption

442
00:23:51,166 --> 00:23:53,500
is what brought
this dream to an end.

443
00:23:59,867 --> 00:24:02,700
[narrator] <i>In the</i>
<i>Niigata Prefecture of Japan,</i>

444
00:24:02,700 --> 00:24:06,700
<i>is a majestic structure</i>
<i>driven by one man's vision.</i>

445
00:24:08,567 --> 00:24:12,634
<i>Sasaguchi Yuji</i>
<i>is the caretaker</i>
<i>of this site today.</i>

446
00:24:13,400 --> 00:24:15,900
<i>When he came here</i>
<i>in the 1990s,</i>

447
00:24:15,900 --> 00:24:18,300
<i>it was</i>
<i>as a paying guest.</i>

448
00:24:22,767 --> 00:24:26,500
[Sasaguchi] At first,
I was curious to know
what kind of place it was

449
00:24:26,500 --> 00:24:28,200
<i>and I wanted</i>
<i>to bring my kids.</i>

450
00:24:31,367 --> 00:24:35,233
It was a merry-go-round
and a few stands
for sweets and food.

451
00:24:38,467 --> 00:24:40,900
<i>The folk dancing</i>
<i>was the main attraction.</i>

452
00:24:43,600 --> 00:24:47,000
[narrator] <i>This is</i>
<i>the Russian Village.</i>

453
00:24:47,000 --> 00:24:49,367
<i>It began as evidence</i>
<i>of friendship</i>

454
00:24:49,367 --> 00:24:51,600
<i>between two</i>
<i>bitter rivals.</i>

455
00:24:52,767 --> 00:24:56,100
[Jim] <i>Traditionally,</i>
<i>relations between</i>
<i>Japan and Russia</i>

456
00:24:56,100 --> 00:24:57,000
were not good.

457
00:24:57,000 --> 00:24:59,266
But, towards the end
of the 20th century,

458
00:24:59,266 --> 00:25:00,867
something happened
that established

459
00:25:00,867 --> 00:25:03,166
<i>a certain bond</i>
<i>between the people.</i>

460
00:25:03,166 --> 00:25:07,200
<i>In 1964, a severe earthquake</i>
<i>hit Niigata.</i>

461
00:25:07,867 --> 00:25:09,567
The ground liquified.

462
00:25:09,567 --> 00:25:11,800
<i>Collapsing bridges</i>
<i>and buildings,</i>

463
00:25:11,800 --> 00:25:14,233
<i>even buckling train tracks.</i>

464
00:25:15,600 --> 00:25:18,000
[narrator] <i>In the wake</i>
<i>of the destruction,</i>

465
00:25:18,000 --> 00:25:21,467
<i>help came from the most</i>
<i>unlikely of places.</i>

466
00:25:21,467 --> 00:25:24,066
The earthquake killed
about three dozen people,

467
00:25:24,066 --> 00:25:27,800
<i>destroyed thousands of homes,</i>
<i>it was a real crisis.</i>

468
00:25:27,800 --> 00:25:29,900
<i>And then,</i>
<i>a month later,</i>

469
00:25:29,900 --> 00:25:32,667
in the port,
a huge shipment

470
00:25:32,667 --> 00:25:36,967
of wood for construction,
for rebuilding, arrived

471
00:25:36,967 --> 00:25:40,467
from two small cities
in Russia

472
00:25:40,467 --> 00:25:43,100
<i>that had heard</i>
<i>about the disaster.</i>

473
00:25:43,700 --> 00:25:45,500
It was a gesture
that would allow

474
00:25:45,500 --> 00:25:48,200
those who had lost their homes
to rebuild.

475
00:25:49,667 --> 00:25:53,300
The people of Niigata
never forgot that kindness.

476
00:25:54,700 --> 00:25:57,800
[narrator] <i>Mr. Ryutaro Omori</i>
<i>was one of those people.</i>

477
00:25:58,767 --> 00:26:02,066
[Rob] <i>Ryutaro Omori</i>
<i>was a local businessman</i>

478
00:26:02,066 --> 00:26:04,800
who rose through the ranks
to become the president

479
00:26:04,800 --> 00:26:06,600
of the Niigata Central Bank.

480
00:26:08,266 --> 00:26:10,967
[Jim] <i>The Japanese economy</i>
<i>was booming</i>

481
00:26:10,967 --> 00:26:13,567
<i>and the Japanese people</i>
<i>had a lot of money</i>

482
00:26:13,567 --> 00:26:16,667
<i>and they wanted to spend it,</i>
<i>they wanted to travel.</i>

483
00:26:16,667 --> 00:26:21,567
It led to a boom
in building theme parks
around Japan.

484
00:26:21,567 --> 00:26:24,266
And Omori had an idea for,

485
00:26:24,266 --> 00:26:27,467
not just one theme park,
but a whole chain of them.

486
00:26:27,467 --> 00:26:31,300
<i>So, he started</i>
<i>with his Russian Village.</i>

487
00:26:32,867 --> 00:26:34,967
[Rob] <i>With Niigata's</i>
<i>connection to Russia</i>

488
00:26:34,967 --> 00:26:37,166
<i>and the landscape</i>
<i>of pine trees</i>

489
00:26:37,166 --> 00:26:38,567
and snowy mountains,

490
00:26:38,567 --> 00:26:41,567
it must've felt like
the obvious place to build it.

491
00:26:41,567 --> 00:26:45,900
<i>It had reportedly cost</i>
<i>$150 million to develop.</i>

492
00:26:48,700 --> 00:26:52,200
[narrator]
<i>On September 1st, 1993,</i>

493
00:26:52,200 --> 00:26:55,800
<i>Russian Village opened</i>
<i>to great fanfare.</i>

494
00:26:57,467 --> 00:26:58,800
[Sasaguchi]
<i>In the parking lot,</i>

495
00:26:58,800 --> 00:27:01,266
<i>there would be tens</i>
<i>of hundreds of vehicles.</i>

496
00:27:01,266 --> 00:27:03,300
<i>And then, the visitors</i>
<i>would get the shuttle bus</i>

497
00:27:03,300 --> 00:27:04,900
<i>to the entrance</i>
<i>of the park,</i>

498
00:27:04,900 --> 00:27:07,767
<i>which would go in</i>
<i>back and forth constantly.</i>

499
00:27:07,767 --> 00:27:11,000
In one day, it could've been
1,000 or 2,000 people

500
00:27:11,000 --> 00:27:12,600
visiting the theme park.

501
00:27:13,867 --> 00:27:16,567
[Jim] <i>So, while people</i>
<i>were at the Russian Village,</i>

502
00:27:16,567 --> 00:27:18,567
<i>they could eat at</i>
<i>a Russian restaurant</i>

503
00:27:18,567 --> 00:27:20,000
serving Russian food,

504
00:27:20,000 --> 00:27:21,266
there was a little museum,

505
00:27:21,266 --> 00:27:25,000
there was even an aquarium
that had a certain species
of seal

506
00:27:25,000 --> 00:27:27,533
that lives in
the Siberian Arctic.

507
00:27:29,066 --> 00:27:32,567
[Alexis] <i>There used to be</i>
<i>areas filled with</i>
<i>souvenir shops,</i>

508
00:27:32,567 --> 00:27:35,367
<i>uh, variety of</i>
<i>fast food stands,</i>

509
00:27:35,367 --> 00:27:39,133
places where
they would demonstrate
Russian folk crafts.

510
00:27:40,166 --> 00:27:41,467
[Rob] <i>In later years,</i>

511
00:27:41,467 --> 00:27:44,400
the park even opened up
a bizarre exhibition

512
00:27:44,400 --> 00:27:49,100
of fake, life-sized,
taxidermied woolly mammoths.

513
00:27:51,266 --> 00:27:52,667
[narrator] <i>The star attraction</i>

514
00:27:52,667 --> 00:27:55,900
<i>was the park's most</i>
<i>faithful offering.</i>

515
00:27:55,900 --> 00:27:59,000
The church was closely based
on an actual Russian church

516
00:27:59,000 --> 00:28:01,100
<i>called</i>
<i>the Cathedral of The Nativity.</i>

517
00:28:01,100 --> 00:28:03,600
<i>It's about 100 miles</i>
<i>outside of Moscow.</i>

518
00:28:04,367 --> 00:28:05,867
[Rob] <i>They went</i>
<i>to great lengths</i>

519
00:28:05,867 --> 00:28:08,567
<i>to make it as authentic</i>
<i>as possible.</i>

520
00:28:08,567 --> 00:28:10,667
Even hiring
a Russian painter

521
00:28:10,667 --> 00:28:14,200
<i>to create the murals</i>
<i>decorating the ceilings</i>
<i>and pillars.</i>

522
00:28:15,266 --> 00:28:18,000
<i>I mean, if you were looking</i>
<i>for somewhere a bit different,</i>

523
00:28:18,000 --> 00:28:20,800
somewhere quite grand
to get married,

524
00:28:20,800 --> 00:28:21,800
where better than here?

525
00:28:23,567 --> 00:28:25,467
[Alexis] <i>Fortunately,</i>
<i>for the bride and groom,</i>

526
00:28:25,467 --> 00:28:28,900
they had plenty of facilities
next door for the reception.

527
00:28:31,300 --> 00:28:33,600
<i>The</i> [indistinct] <i>hotel</i>
<i>had 20 rooms,</i>

528
00:28:33,600 --> 00:28:36,667
<i>including luxurious suites</i>
<i>on the top floor,</i>

529
00:28:36,667 --> 00:28:39,834
<i>perhaps where the newlyweds</i>
<i>spent their wedding night.</i>

530
00:28:40,900 --> 00:28:43,266
[Rob] <i>Though little remains</i>
<i>today,</i>

531
00:28:43,266 --> 00:28:45,100
<i>from the size</i>
<i>of the spaces,</i>

532
00:28:45,100 --> 00:28:47,767
<i>you get a real sense of</i>
<i>just how grand</i>

533
00:28:47,767 --> 00:28:49,300
it would've been.

534
00:28:51,700 --> 00:28:53,567
[narrator] <i>But, in 1994,</i>

535
00:28:53,567 --> 00:28:57,800
<i>only months after</i>
<i>Omori's bizarre venture</i>
<i>first opened,</i>

536
00:28:57,800 --> 00:28:59,734
<i>cracks began to show.</i>

537
00:29:01,200 --> 00:29:02,567
[Sasaguchi] In Niigata,

538
00:29:02,567 --> 00:29:05,567
it was the first time
that this kind of attraction
had been opened.

539
00:29:05,567 --> 00:29:08,200
So, at first, there was
a lot of curiosity.

540
00:29:11,400 --> 00:29:12,900
But once you had
been here,

541
00:29:12,900 --> 00:29:15,400
it wasn't as good
as people hoped it would be.

542
00:29:17,967 --> 00:29:19,767
[Jim] <i>So, once you'd looked</i>
<i>at the church,</i>

543
00:29:19,767 --> 00:29:22,233
<i>had a Russian meal,</i>
<i>seen a show,</i>

544
00:29:23,600 --> 00:29:25,233
you were ready
to go home.

545
00:29:26,367 --> 00:29:27,600
[Alexis] <i>With its</i>
<i>poor attendants,</i>

546
00:29:27,600 --> 00:29:31,433
the numbers just weren't
adding up for
the Russian Village.

547
00:29:32,867 --> 00:29:37,133
[narrator] <i>The park managed</i>
<i>to keep going</i>
<i>for the next seven years.</i>

548
00:29:37,767 --> 00:29:39,767
<i>But in 2001,</i>

549
00:29:39,767 --> 00:29:42,467
<i>damning allegations</i>
<i>came to light</i>

550
00:29:42,467 --> 00:29:44,133
<i>revealing how...</i>

551
00:29:44,800 --> 00:29:47,100
[Rob] <i>The visionary</i>
<i>behind the park</i>

552
00:29:47,100 --> 00:29:49,567
<i>and the head of the bank</i>
<i>that financed it,</i>

553
00:29:49,567 --> 00:29:51,166
<i>Ryutaro Omori,</i>

554
00:29:51,166 --> 00:29:53,800
had criminal charges
filed against him.

555
00:29:59,066 --> 00:30:01,066
[narrator] <i>In Japan</i>
<i>are the remains</i>

556
00:30:01,066 --> 00:30:02,867
<i>of a Russian-based</i>
<i>theme park</i>

557
00:30:02,867 --> 00:30:05,567
<i>that opened</i>
<i>in the 1990s.</i>

558
00:30:05,567 --> 00:30:07,967
<i>It operated</i>
<i>for seven years,</i>

559
00:30:07,967 --> 00:30:10,700
<i>before the criminal dealings</i>
<i>of its owner,</i>

560
00:30:10,700 --> 00:30:14,567
<i>Ryutaro Omori,</i>
<i>finally caught up with him.</i>

561
00:30:14,567 --> 00:30:20,166
His bank reported a deficit
of ¥168.7 billion.

562
00:30:20,166 --> 00:30:24,033
<i>That's about</i>
<i>$1.3 billion today.</i>

563
00:30:25,767 --> 00:30:27,767
[Jim] <i>Omori made</i>
<i>a lot of loans</i>

564
00:30:27,767 --> 00:30:29,700
<i>that were</i>
<i>somewhat dubious,</i>

565
00:30:29,700 --> 00:30:32,066
<i>and one of... the shakiest</i>

566
00:30:32,066 --> 00:30:34,266
was to his own
Russian village.

567
00:30:34,266 --> 00:30:37,700
Even when he knew that
the finances were
not that strong,

568
00:30:37,700 --> 00:30:39,767
<i>he pushed through</i>
<i>another loan</i>

569
00:30:39,767 --> 00:30:41,266
<i>for the project.</i>

570
00:30:41,266 --> 00:30:43,734
<i>And that one</i>
<i>really got him in trouble.</i>

571
00:30:45,266 --> 00:30:48,800
[narrator] <i>Omori was forced</i>
<i>to resign as head of the bank.</i>

572
00:30:49,467 --> 00:30:51,266
<i>While he was</i>
<i>awaiting trial,</i>

573
00:30:51,266 --> 00:30:55,266
<i>a group of Russian financers</i>
<i>tried to help save the park.</i>

574
00:30:55,266 --> 00:30:59,133
<i>Their investment</i>
<i>was too little, too late.</i>

575
00:31:00,100 --> 00:31:02,266
[Rob] <i>Whilst this park</i>
<i>was shutting down,</i>

576
00:31:02,266 --> 00:31:07,100
in 2003, Omori was sentenced
to three years in prison.

577
00:31:07,100 --> 00:31:09,900
Just two years later,
he died.

578
00:31:15,100 --> 00:31:16,667
[narrator] <i>In 2004,</i>

579
00:31:16,667 --> 00:31:19,367
<i>a short-lived attempt</i>
<i>to reopen the park</i>

580
00:31:19,367 --> 00:31:21,667
<i>ended in failure.</i>

581
00:31:21,667 --> 00:31:23,967
<i>Many of the buildings</i>
<i>were then demolished</i>

582
00:31:23,967 --> 00:31:26,634
<i>and vandals destroyed</i>
<i>what remained.</i>

583
00:31:27,867 --> 00:31:30,400
[Jim] <i>The future</i>
<i>for this area seems to me...</i>

584
00:31:30,400 --> 00:31:33,000
<i>in the solar energy</i>
<i>being generated</i>

585
00:31:33,000 --> 00:31:34,800
<i>in this massive solar farm</i>

586
00:31:34,800 --> 00:31:36,900
<i>right next door</i>
<i>to the Russian Village.</i>

587
00:31:36,900 --> 00:31:41,300
The hopes that people
might someday travel
to this compound

588
00:31:41,300 --> 00:31:43,800
were really dashed
many years ago.

589
00:31:51,467 --> 00:31:53,867
[narrator] <i>On England's</i>
<i>southern coast,</i>

590
00:31:53,867 --> 00:31:56,567
<i>anchored in the</i>
<i>Blackwater Estuary</i>

591
00:31:56,567 --> 00:31:59,800
<i>is illicit piece</i>
<i>of pop culture history.</i>

592
00:32:03,700 --> 00:32:07,266
At first glance,
this seems like
a perfectly ordinary sight.

593
00:32:07,266 --> 00:32:10,767
A ship moored in a waterway
that leads out to the sea.

594
00:32:10,767 --> 00:32:12,266
<i>But, look again,</i>

595
00:32:12,266 --> 00:32:15,333
<i>there's something here</i>
<i>that doesn't quite add up.</i>

596
00:32:15,900 --> 00:32:18,000
It has this strange mast,

597
00:32:18,000 --> 00:32:20,500
<i>sort of sprouting out</i>
<i>from its center.</i>

598
00:32:20,500 --> 00:32:22,367
What can it be used for?

599
00:32:22,367 --> 00:32:26,467
[narrator] <i>A look below deck</i>
<i>fails to yield</i>
<i>an obvious answer.</i>

600
00:32:26,467 --> 00:32:31,667
Inside is everything
you would expect to find
on an average ship.

601
00:32:31,667 --> 00:32:34,567
Other elements come
as a little bit of a surprise,

602
00:32:34,567 --> 00:32:36,600
they really seem
out of place here.

603
00:32:36,600 --> 00:32:39,400
[Onyeka] <i>We find</i>
<i>these strange machines,</i>

604
00:32:39,400 --> 00:32:43,000
<i>scattered microphones,</i>
<i>record players,</i>

605
00:32:43,000 --> 00:32:44,400
<i>album covers.</i>

606
00:32:44,767 --> 00:32:46,700
<i>This is unmistakably</i>

607
00:32:47,000 --> 00:32:48,700
a broadcast studio.

608
00:32:50,000 --> 00:32:51,467
[Rob] <i>So, you have to</i>
<i>ask yourself,</i>

609
00:32:51,467 --> 00:32:55,000
why put all this equipment
on a ship?

610
00:32:55,000 --> 00:32:56,600
Who were they hiding it
from?

611
00:32:57,667 --> 00:32:58,700
[narrator] <i>Over the years,</i>

612
00:32:58,700 --> 00:33:01,867
<i>vessels like this</i>
<i>were crewed by buccaneers,</i>

613
00:33:01,867 --> 00:33:04,266
<i>hellbent on liberating</i>
<i>the masses.</i>

614
00:33:04,266 --> 00:33:08,100
<i>Not from their money,</i>
<i>but from musical monotony.</i>

615
00:33:08,100 --> 00:33:10,100
[Onyeka] <i>There was a kind of</i>
<i>joyful anarchy</i>

616
00:33:10,100 --> 00:33:12,300
<i>that took place</i>
<i>on this ship.</i>

617
00:33:12,300 --> 00:33:16,300
And the authorities decided
to put this to an end.

618
00:33:23,800 --> 00:33:26,166
[Nigel] <i>I came out here</i>
<i>in 1994</i>

619
00:33:26,166 --> 00:33:28,000
<i>when I was</i>
<i>in my twenties.</i>

620
00:33:28,000 --> 00:33:30,000
<i>The ship glistened</i>
<i>in the sunlight</i>

621
00:33:30,000 --> 00:33:32,834
and I was very excited
uh, to step onboard.

622
00:33:34,200 --> 00:33:36,200
[narrator] <i>Nigel Harris</i>
<i>lived and worked</i>

623
00:33:36,200 --> 00:33:40,166
<i>on this former</i>
<i>North Atlantic fishing trawler</i>
<i>for five years.</i>

624
00:33:40,166 --> 00:33:42,700
<i>But Nigel</i>
<i>was no fisherman.</i>

625
00:33:42,700 --> 00:33:45,800
<i>He operated on the wrong side</i>
<i>of the law.</i>

626
00:33:47,800 --> 00:33:50,667
The authorities were keeping
an eye on us all the time

627
00:33:50,667 --> 00:33:53,567
and getting boats
to bring out these lads

628
00:33:53,567 --> 00:33:54,734
<i>became more and more</i>
<i>difficult.</i>

629
00:33:54,734 --> 00:33:57,500
<i>But when it worked,</i>
<i>I must say,</i>
<i>it did work well.</i>

630
00:33:58,900 --> 00:34:01,767
[narrator] <i>This is</i>
<i>the</i> Ross Revenge.

631
00:34:01,767 --> 00:34:03,367
<i>In the 1980s,</i>

632
00:34:03,367 --> 00:34:05,667
<i>it was the latest</i>
<i>in a long line</i>

633
00:34:05,667 --> 00:34:08,800
<i>of ship-based off-shore</i>
<i>pirate radio stations.</i>

634
00:34:10,600 --> 00:34:13,667
<i>The concept began</i>
<i>as a cunning antidote</i>

635
00:34:13,667 --> 00:34:16,667
<i>to the British establishment's</i>
<i>uptight attitude</i>

636
00:34:16,667 --> 00:34:19,300
<i>to 1960s popular music.</i>

637
00:34:20,667 --> 00:34:23,000
So, we like to think
of the 1960s

638
00:34:23,000 --> 00:34:25,667
as a great moment of change
in music.

639
00:34:25,667 --> 00:34:28,867
<i>And we talk about</i>
<i>the British revolution,</i>

640
00:34:28,867 --> 00:34:31,000
<i>uh, The Beatles,</i>
<i>The Rolling Stones</i>

641
00:34:31,000 --> 00:34:35,000
<i>and of course, in the Americas</i>
<i>we have Motown music.</i>

642
00:34:35,000 --> 00:34:37,000
At that time,
the BBC,

643
00:34:37,000 --> 00:34:39,066
the British
Broadcasting Corporation

644
00:34:39,066 --> 00:34:41,100
were the only ones
with a license

645
00:34:41,100 --> 00:34:43,800
<i>to broadcast on the radio.</i>

646
00:34:43,800 --> 00:34:47,467
[narrator] <i>But,</i>
<i>the rock and roll revolution</i>
<i>sweeping the United States</i>

647
00:34:47,467 --> 00:34:50,133
<i>had no place</i>
<i>on British airwaves.</i>

648
00:34:52,467 --> 00:34:55,967
[narrator] <i>The BBC</i>
<i>considered such music,</i>
<i>to be immoral</i>

649
00:34:55,967 --> 00:35:00,300
<i>favoring a bland diet of news</i>
<i>and light entertainment.</i>

650
00:35:00,300 --> 00:35:03,200
All of these
era-defining artists

651
00:35:03,200 --> 00:35:04,600
were releasing albums

652
00:35:04,600 --> 00:35:07,166
that people just
weren't able to listen to

653
00:35:07,166 --> 00:35:10,567
on traditional,
conventional radio.

654
00:35:10,567 --> 00:35:12,867
[narrator] <i>Irish businessman</i>
<i>Ronan O'Rahilly</i>

655
00:35:12,867 --> 00:35:15,367
<i>was determined to find</i>
<i>a work-around</i>

656
00:35:15,367 --> 00:35:16,467
<i>to Britain's refusal</i>

657
00:35:16,467 --> 00:35:20,066
<i>to give radio licenses</i>
<i>to commercial broadcasters.</i>

658
00:35:20,066 --> 00:35:24,367
<i>He discovered</i>
<i>that by operating</i>
<i>three miles off the coast,</i>

659
00:35:24,367 --> 00:35:27,634
they would be outside
the government's legal reach.

660
00:35:28,266 --> 00:35:31,800
<i>O'Rahilly raised around</i>
<i>$700,000</i>

661
00:35:31,800 --> 00:35:34,000
<i>to launch his passion project.</i>

662
00:35:34,266 --> 00:35:35,500
[music playing]

663
00:35:36,767 --> 00:35:39,867
<i>♪♪ Caroline,</i>
<i>the sound of the nation ♪</i>

664
00:35:39,867 --> 00:35:43,967
When Radio Caroline
first started broadcasting
in 1964,

665
00:35:43,967 --> 00:35:47,800
they were at the forefront
of the pirate radio
revolution.

666
00:35:48,867 --> 00:35:50,767
Suddenly, music fans
could tune in

667
00:35:50,767 --> 00:35:53,300
and hear new artists
whenever they wanted.

668
00:35:53,900 --> 00:35:55,800
<i>♪♪ Caroline ♪</i>

669
00:35:57,567 --> 00:35:59,266
[narrator] <i>By 1965,</i>

670
00:35:59,266 --> 00:36:00,967
<i>around 15 million Brits</i>

671
00:36:00,967 --> 00:36:05,066
<i>were tuning into off-shore</i>
<i>pirate radio on a daily basis.</i>

672
00:36:05,066 --> 00:36:07,000
<i>The BBC didn't like it</i>

673
00:36:07,000 --> 00:36:09,567
<i>and neither did</i>
<i>the British government.</i>

674
00:36:09,567 --> 00:36:11,000
Over the following decades,

675
00:36:11,000 --> 00:36:12,767
the authorities
and the pirates

676
00:36:12,767 --> 00:36:15,100
played a game
of cat and mouse,

677
00:36:15,100 --> 00:36:18,767
<i>with the government</i>
<i>passing new laws</i>
<i>to shut them down</i>

678
00:36:18,767 --> 00:36:22,400
<i>and the pirates</i>
<i>finding new ways</i>
<i>to keep the music playing.</i>

679
00:36:23,300 --> 00:36:24,567
[narrator] <i>In 1980,</i>

680
00:36:24,567 --> 00:36:27,800
<i>Radio Caroline's latest ship,</i>
<i>the</i> Mi Amigo,

681
00:36:27,800 --> 00:36:30,600
<i>sank during a violent storm.</i>

682
00:36:30,600 --> 00:36:32,500
<i>The team needed</i>
<i>a new boat.</i>

683
00:36:32,500 --> 00:36:34,967
<i>Enter,</i>
<i>the</i> Ross Revenge.

684
00:36:34,967 --> 00:36:37,967
Official broadcast
of the new Radio Caroline

685
00:36:37,967 --> 00:36:42,867
began at noon
on August 20th, 1983.

686
00:36:42,867 --> 00:36:44,400
[Nigel] <i>This studio</i>
<i>you see now</i>

687
00:36:44,400 --> 00:36:47,000
is the main on-air
original studio

688
00:36:47,000 --> 00:36:48,467
on the <i>Ross Revenge.</i>

689
00:36:48,467 --> 00:36:50,266
This is the mixer
we used

690
00:36:50,266 --> 00:36:51,500
and it still works,

691
00:36:51,867 --> 00:36:52,900
as far as I know.

692
00:36:52,900 --> 00:36:54,667
Uh, microphone,

693
00:36:54,667 --> 00:36:57,867
faders here,
four turntables,

694
00:36:57,867 --> 00:37:00,600
<i>it was a great space to be,</i>
<i>lots of fun out here.</i>

695
00:37:04,266 --> 00:37:08,600
[narrator] <i>But, Radio Caroline</i>
<i>was treading a fine line.</i>

696
00:37:08,600 --> 00:37:12,300
<i>And the British government's</i>
<i>patience was running out.</i>

697
00:37:13,300 --> 00:37:15,367
They were in
international waters

698
00:37:15,367 --> 00:37:17,867
and that was supposed to
keep them safe.

699
00:37:17,867 --> 00:37:19,400
<i>And they were safe,</i>

700
00:37:19,400 --> 00:37:21,400
<i>until the raiders arrived.</i>

701
00:37:21,667 --> 00:37:23,100
[man speaking]

702
00:37:30,066 --> 00:37:31,667
[narrator] <i>In the 1980s,</i>

703
00:37:31,667 --> 00:37:33,967
<i>the</i> Ross Revenge
<i>was the base</i>

704
00:37:33,967 --> 00:37:37,000
<i>for pirate radio station,</i>
<i>Radio Caroline.</i>

705
00:37:37,500 --> 00:37:38,800
<i>The ship may have operated</i>

706
00:37:38,800 --> 00:37:41,900
<i>in the perceived safety</i>
<i>of international waters,</i>

707
00:37:41,900 --> 00:37:43,900
<i>but that didn't stop</i>
<i>the British government</i>

708
00:37:43,900 --> 00:37:47,200
<i>from cracking down</i>
<i>in any way they could.</i>

709
00:37:48,367 --> 00:37:51,166
[Nigel] <i>Over time,</i>
<i>things did get</i>
<i>more complicated.</i>

710
00:37:51,166 --> 00:37:54,467
<i>The authorities became</i>
<i>warier of boats</i>
<i>getting out here.</i>

711
00:37:54,467 --> 00:37:56,500
So, the time between
our supply boats

712
00:37:56,500 --> 00:37:57,867
would get longer
and longer and longer

713
00:37:57,867 --> 00:37:59,700
as things became
more difficult.

714
00:38:01,467 --> 00:38:05,367
[narrator] <i>Life onboard</i>
<i>was about to get even tougher.</i>

715
00:38:05,367 --> 00:38:08,767
<i>The</i> Ross Revenge <i>was also home</i>
<i>to a Dutch radio station,</i>

716
00:38:08,767 --> 00:38:11,734
<i>which made it a target</i>
<i>for both countries'</i>
<i>governments.</i>

717
00:38:12,367 --> 00:38:15,000
<i>On August 19th, 1989,</i>

718
00:38:15,000 --> 00:38:17,367
<i>Nigel was hosting</i>
<i>his morning show</i>

719
00:38:17,367 --> 00:38:20,200
<i>when suddenly,</i>
<i>all hell broke loose.</i>

720
00:38:22,000 --> 00:38:24,066
[Nigel] <i>I was on the air</i>
<i>in here</i>

721
00:38:24,066 --> 00:38:25,567
<i>and it's a misty morning</i>

722
00:38:25,567 --> 00:38:27,300
and I look through
that porthole

723
00:38:27,300 --> 00:38:28,567
out to the stern
of the ship

724
00:38:28,567 --> 00:38:32,300
<i>and through the mist,</i>
<i>this great, big</i>
<i>Dutch tug appeared.</i>

725
00:38:32,300 --> 00:38:35,166
<i>It came alongside,</i>
<i>slammed alongside.</i>

726
00:38:35,166 --> 00:38:38,800
Faced with a 30-strong,
armed boarding party

727
00:38:38,800 --> 00:38:41,900
the small crew
were in no position
to stop them.

728
00:38:44,867 --> 00:38:46,000
[man speaking]

729
00:39:04,767 --> 00:39:06,800
There were two or three
of us in here

730
00:39:06,800 --> 00:39:09,600
and they came
and manhandled
inside of the studios,

731
00:39:09,600 --> 00:39:10,900
<i>closed the door on us</i>

732
00:39:10,900 --> 00:39:13,867
<i>and then started to pull wires</i>
<i>out of the back</i>
<i>of the mixer.</i>

733
00:39:13,867 --> 00:39:17,266
<i>I just don't understand</i>
<i>how this can be happening.</i>

734
00:39:17,266 --> 00:39:20,567
The strange feeling in your--
in your stomach that, uh,

735
00:39:20,567 --> 00:39:22,400
"Is this the end?
It can't be."

736
00:39:23,500 --> 00:39:24,800
[Onyeka] <i>At 1:08 p.m.,</i>

737
00:39:24,800 --> 00:39:27,266
<i>the</i> Ross Revenge
<i>was silenced,</i>

738
00:39:27,266 --> 00:39:30,600
and Radio Caroline
has gone off the airwaves.

739
00:39:31,867 --> 00:39:33,767
[narrator]
<i>While the pirate crew</i>
<i>was rounded up</i>

740
00:39:33,767 --> 00:39:35,367
<i>and interrogated,</i>

741
00:39:35,367 --> 00:39:37,600
<i>the authorities</i>
<i>went to work.</i>

742
00:39:38,100 --> 00:39:39,233
[Rob] <i>Studio equipment,</i>

743
00:39:39,233 --> 00:39:42,700
records and tapes
were all boxed up
and confiscated.

744
00:39:42,700 --> 00:39:45,533
<i>They even cut</i>
<i>the aerial cables</i>
<i>from the tower.</i>

745
00:39:46,467 --> 00:39:48,200
[Sascha] <i>They knew that</i>
<i>they couldn't remove</i>

746
00:39:48,200 --> 00:39:50,600
<i>the massive transmitters</i>
<i>held below decks.</i>

747
00:39:50,600 --> 00:39:53,900
So, they simply took
sledgehammers
to the delicate electronics.

748
00:39:54,767 --> 00:39:57,100
[narrator] <i>When the raiders</i>
<i>had finally gone,</i>

749
00:39:57,100 --> 00:39:59,634
<i>Nigel was left</i>
<i>to assess the damage.</i>

750
00:40:00,667 --> 00:40:02,767
[Nigel] <i>I saw beer bottles</i>
<i>lying around everywhere.</i>

751
00:40:02,767 --> 00:40:05,000
<i>So, it was almost like</i>
<i>they'd come out here</i>

752
00:40:05,000 --> 00:40:07,000
<i>on a-- on a bit</i>
<i>of a jolly.</i>

753
00:40:07,000 --> 00:40:08,667
Bit of drinking,
bit of smashing

754
00:40:08,667 --> 00:40:09,900
and then they went home.

755
00:40:11,100 --> 00:40:13,467
[narrator] <i>The pirate DJs</i>
<i>didn't give up.</i>

756
00:40:13,467 --> 00:40:15,166
<i>They scavenged</i>
<i>replacement parts</i>

757
00:40:15,166 --> 00:40:17,333
<i>and quickly got back</i>
<i>on air.</i>

758
00:40:18,400 --> 00:40:20,667
We had so much help
from listeners as well.

759
00:40:20,667 --> 00:40:24,500
They donated food,
they donated records.

760
00:40:24,500 --> 00:40:26,834
[narrator] <i>But, the writing</i>
<i>was on the wall.</i>

761
00:40:27,266 --> 00:40:29,166
<i>In November 1990,</i>

762
00:40:29,166 --> 00:40:31,600
<i>the ship was forced</i>
<i>to stop broadcasting</i>

763
00:40:31,600 --> 00:40:35,467
<i>due to a lack of fuel</i>
<i>and essential supplies.</i>

764
00:40:35,467 --> 00:40:38,266
<i>It was left anchored</i>
<i>in the English Channel</i>

765
00:40:38,266 --> 00:40:39,734
<i>to await its fate.</i>

766
00:40:40,400 --> 00:40:41,867
[Onyeka] <i>In 1991,</i>

767
00:40:41,867 --> 00:40:44,367
the <i>Ross Revenge</i>
lost its moorings

768
00:40:44,367 --> 00:40:46,767
and began to drift
onto a sand bank.

769
00:40:46,767 --> 00:40:49,100
<i>And when the ship</i>
<i>was eventually towed</i>
<i>into port,</i>

770
00:40:49,100 --> 00:40:53,500
<i>its 27 year broadcast history</i>
<i>came to an end.</i>

771
00:40:59,266 --> 00:41:01,867
[narrator] <i>Pirate radio,</i>
<i>although illegal,</i>

772
00:41:01,867 --> 00:41:03,467
<i>is credited with</i>
<i>paving the way</i>

773
00:41:03,467 --> 00:41:05,900
<i>for popular music</i>
<i>to be given a voice</i>

774
00:41:05,900 --> 00:41:07,667
<i>in the United Kingdom.</i>

775
00:41:07,667 --> 00:41:11,000
<i>The</i> Ross Revenge
<i>is part of that legacy.</i>

776
00:41:11,000 --> 00:41:14,100
[Rob] <i>Today, the</i> Ross Revenge
<i>is open to the public</i>
<i>for visits.</i>

777
00:41:14,100 --> 00:41:17,166
But, keeping a ship
of this size in good condition

778
00:41:17,166 --> 00:41:18,800
is no easy feat.

779
00:41:20,100 --> 00:41:22,200
[Nigel] <i>Well, it's still</i>
<i>a lot of work to be done, uh,</i>

780
00:41:22,200 --> 00:41:23,300
<i>on the</i> Ross Revenge.

781
00:41:23,300 --> 00:41:24,900
<i>It can't sit</i>
<i>on the water forever.</i>

782
00:41:24,900 --> 00:41:26,066
Unless its work is done,

783
00:41:26,066 --> 00:41:27,266
its future
is uncertain.


